The Essence in Art is Nature's Heritage
1987
Iron, earth and grass
At that time I started a series of works in which the use of living grass was the highlight of the objects. The focus was always put the in process: the need of maintenance, the constant effort to control the growth, in the decadence and the rust. The artworks were both straight examples of uncontrollability and metaphors of thought and language, the impossibility of attaining fixed definitions of things.
